“We express our being by creating”

-Rollo May

One of the things I love best (and despise most) about the creative process is that it's messy. I get to spread fabric scraps all over my floor, I can get paint on my face, I can scribble and erase as much as I need. It also means that the creative process isn't always as linear as I sometimes wish it were. It requires patience and trust and determination to continue forward even if I'm not sure where I'm going. 

That said, come on into my studio and take a little peek at my general process for creating a landscape quilt.

Natural Fabric Dyeing

  • Close-up of yellow marigold flowers and purple iris flowers on a woven basket background.

    01/ Sow and Gather

    All of my fabric is naturally dyed using elements from nature such as flowers, leaves, roots, seeds, and bark. Most of the plants I use for dyeing are harvested from my garden or are sustainably gathered from my local area.

  • Close-up of a white cloth being submersed into a bucket of water, with a red rubber glove on hand holding the cloth.

    02/ Prepare the Fabric

    Before dyeing, all fabric is pretreated with mordant for about 24 hours. This helps ensure light and color fastness, which will prevent the colors from fading over time. I work exclusively with 100% cotton or linen fabric.

  • Person wearing green rubber gloves wringing out a stained orange cloth in a metal basin filled with soapy water outdoors.

    03/ Dye Bath

    The flowers, roots, leaves, or bark that I am using for dyeing soak and simmer for an hour or more to extract the color. Then the pretreated fabric is placed in the dye bath for several hours until the desired color is reached. The fabric is then washed and hung to dry.

  • Close-up of three fabric swatches in shades of pink and brown with sewing pins. The middle swatch is labeled "Iron" and the right swatch is labeled "Madder + Wled" with an arrow pointing to it.

    04/ Modifiers

    The process of natural fabric dyeing is a great experiment, and it feels like a combination of science and magic! I will often take swatches and play with the effects of various modifiers, such as iron solutions, pH modifiers, or combinations of different dyes to see how these shift the color. This helps achieve a wide color palette.

  • Pink powder in a glass jar, a mortar and pestle with pink powder, and crushed pink tablets on a paper surface.

    05/ Lake Pigments

    Once the dye bath is exhausted, I create a lake pigment, which is the process of separating the left over pigment from the water. The extracted pigment is sifted, dried, and ground into a fine powder that can be used to make paint.

  • Four small jars of powdered pigments labeled Maddar, Wela, Avo Pit, and Dahlia, arranged on a wooden surface with corresponding circular labels.

    06/ Future Projects

    I already have plans for what I will create with these plant pigments. Mother Earth so generously provides these beautiful colors, and I am committed to ensuring none of it goes to waste! Stay tuned to see how I plan to use these Earth pigments in future projects.

Interested in learning more about natural dyeing? Check out the Natural Dye Studio blog for information and tutorials!


The Quilt Design Process

  • A person with tattoos on their right arm is writing in a notebook with a pencil, sitting at a wooden table.

    01/ Sketch & Write

    I always begin with pencil and paper. I write about what I'm feeling inspired by and sketch a few design ideas, not worrying too much about the final look. I just let ideas flow.

  • A woman with shoulder-length hair working on a computer at a wooden desk, designing graphics on a digital art program.

    02/ Design

    Using the sketches as inspiration, I create a mock up, usually in Adobe Illustrator. I play with color and composition until I am happy with the design.

  • A hand holding a pencil sketches a map on large brown paper taped to a wall, with a pair of scissors resting on the paper, and various notes and labels indicating different geographic locations and features.

    03/ Make Templates

    Once I've decided on the final composition and color, I create templates out of kraft paper and cut out the pattern pieces.

  • Several sheets of crumpled tissue paper in shades of beige, white, and light gray spread out on a wooden surface.

    04/ Sew

    Once the fabric pieces are cut out using the templates, I get to see the piece come to life as I sew the pieces together! I carefully pin each of the pieces together, cut the curves, and press each seam to ensure everything lines up properly and lies flat. This step requires patience and precision and is so satisfying.

  • Close-up photo of a sewing machine stitching a quilt with gold, white, and cream-colored fabric pieces.

    05/ Quilt and Bind

    Each piece is generally finished with straight line quilting, as it is simple and provides contrast to the organic lines of the design. Binding secures the raw edges and frames the piece so that it is ready to be displayed or snuggled.

  • Close-up of a person's arm with a black tattoo of a tree, holding a white envelope with a signature that reads 'Julia Dale,' dated July 2023, resting on their lap.

    06/Finishing Touches

    The final details of each piece, including hanging tabs and signature, are finished by hand with care and love.

Each piece is dyed, designed, and created by me. I take great care with each step of the process to ensure a truly unique and expertly handcrafted piece of art for your home.

All quilts arrive ready to display and ship beautifully packaged from my home in Portland, OR.

A woman with light brown hair and a tattoo on her arm is smiling as she pulls back a black and white patterned fabric from a wall or surface.